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They’re concerned with the broader world of music or with a narrowly defined genre, not with a specific city. My listening experience, rooted as it has been in Chicago, isn’t reflected in the “best albums of the 2010s” packages that the country’s major music and culture outlets published late last year. Their albums and activism shape the culture in Chicago and elsewhere. Chicago musicians not only consider the specifics of what it means to live in this city but also frequently engage the community with more than their songs. Songs provided me with new insight into the forces driving the record single-year number of public school closings in 2013, the Emanuel administration’s cover-up of Laquan McDonald’s 2014 murder by Chicago police officer Jason Van Dyke, the City Council’s approval of construction contracts for a $95 million police and fire academy in West Garfield Park, and the abuse of tax increment financing to assist billion-dollar developments that will help displace the disadvantaged people that TIFs are supposed to benefit. Music helped me navigate a city that seems to weather seismic sociopolitical changes several times per year-the six months between the FBI’s November 2018 raid of Alderman Ed Burke’s office and the mayoral runoff election felt like a decade. When I consider the past decade in Chicago music, I think about the songs and albums that not only muscled their way into my memory but also deepened my understanding of the place where I live.

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